Feng Shui Nightmare in a Brownstone Bedroom

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THE BEDROOM IN MY PROSPECT HEIGHTS PIED-A-TERRE is finally coming together. Last week I committed myself to a 1960s platform credenza, above, for storing my family’s photo archive, a more attractive repository than the half-dozen plastic bins in which our photos and personal memorabilia had been sitting (see below – yikes).

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After much shopping around, I bought the credenza at Re-Pop near the Brooklyn Navy Yard. My penultimate stop was Baxter & Liebchen in DUMBO, a warehouse specializing in designer-name Scandinavian modern, mostly teak. Gorgeous stuff, but I didn’t want to spend four figures. So I ended up back at Re-Pop, where I chose a 78″ long piece by the American furniture company Kroehler, with a geometric raised pattern on the front, paying just under $500. It was delivered last Friday (in a snowstorm, naturally).

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But then came the placement question. My bedroom — the back room of the garden floor of a brownstone — is huge, about 300 square feet, but oddly shaped, with several nooks and niches. I had originally intended the credenza to go in the niche next to the closet, where it would fit snugly. But the queen size bed had been tucked in there, above, and in order to put the [extremely heavy] credenza in that  niche, where I knew it would look good, I would have to move the bed to the only possible other wall, since the others are either not long enough or have doors on them (one to the living room, one to the garden).

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In the meantime, I had the movers put the credenza temporarily along that other wall, above, where it looked lost in space.

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The main problem — and I’m not kidding about this — is that there’s a massive ceiling beam running across the room — a wide, heavy I-beam, above — that would bisect the bed, lengthwise, along that only possible other wall. Ceiling beams above the bed, according to my internet research, are nothing less than a feng shui nightmare. “Beams carry a tremendous load,” says one much-reproduced tract, “and this pressure is focused into the beams generating chi which continues downwards, placing direct pressure on you while you sleep.” This can be debilitating and cause physical problems, says Denise Lynn in Sacred Space: Clearing and Enhancing the Energy of Your Home, one of the feng shui reference books I plucked off my shelf. Terrifying, isn’t it?

What to do, what to do? Fortunately, there are some recommended ‘cures’:

  • paint the beams (the beam is already painted, whew)
  • drape fabric over the beams (I’m not going for a harem look, really)
  • hang bamboo flutes 2-3 inches below the beam at a 45-degree angle,with the mouthpiece downwards, to “soften the load”
I went on to read more feng shui advice for the bedroom:
  • place your bed in “the king’s position”where you can see the doorway (I can see one of the two)
  • don’t place your headboard on the same wall as the incoming door to your bedroom (same wall, different plane, because the wall jogs – don’t know if that’s a mitigating factor)
  • make sure when you lay in bed that you can see the incoming flow of energy when someone enters your bedroom (no one is entering my bedroom unless I know about it) — otherwise, you will miss new opportunities in your career or that great partner that you wanted to meet, because you don’t “see” the energy at night coming to you (guess I’ll have to take my chances) and you won’t be in control of your life (who is?)
  • if you can’t change your bed to another wall, place a small mirror opposite the door so that when you open your eyes you can see the doorway in the mirror (that I can and will do, pronto)

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A Brooklyn brownstone doesn’t lend itself naturally to feng shui principles, I’ve decided. Yesterday I took it upon myself, with the help of plastic coasters as sliders, a couple of bathmats, and sheer determination, to move the credenza into the desired niche, and the bed to the wall under the ceiling beam, above, where I slept very well last night, thank you.

Still, anyone know where I can get some bamboo flutes?

Seeking Storage, Finding Brooklyn

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THE SITUATION IS DIRE: 11 cartons and 8 plastic bins, holding a lifetime’s worth of family photos, children’s artwork, published and unpublished writing, already pared down to what I consider essentials. Sitting out on the floor of my bedroom in piles, they do not attractive decor make.

And on the other side of the room…

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Unless I get some kind of giant credenza, armoire, cabinet, or other closed storage piece –– and I have a 6-1/2-foot wide alcove just waiting to receive one — there’s no point even painting the walls (just as well, since I haven’t decided what color to paint them).

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Here’s where I’ve looked:

  • IKEA, where I tried to get my head around the ultra-sleek cabinet, above, ultimately deciding to honor my vow not to buy anything made of particle board
  • Find, a Gowanus warehouse documented in a previous post, where I considered and decided against several rustic pieces imported from India, mainly because nothing was quite the right size for the space
  • Hip and Humble on Atlantic Avenue, which had an armoire approximately the right size and shape, but with cutesy floral carving I couldn’t abide
  • A just-opened and potentially fabulous resource, Film Biz Recycling on President Street near 4th Avenue, a repository for film-set leftovers that just re-located this week from Queens — but I wasn’t parked legally so I just ran in long enough to ascertain there weren’t any armoires in stock

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Today, nearing my wit’s end, I checked out a place I’d read about somewhere: Trailer Park, on Sterling Place near 6th Avenue in Park Slope, above, which sells vintage furniture as well as custom pieces made of reclaimed barn wood. The place is so full of the very stuff I used to collect — ’50s lamps, vintage tablecloths, American art pottery — I couldn’t believe I’d never known about it. I brightly asked the fellow in the shop, “How long have you been here?” thinking surely he’d reply, “We just opened last month.” He said, “Oh, about thirteen years.” And I thought I knew Brooklyn!

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I admired the 1970s German science posters ($150) and checked out the other offerings closely, but the pieces made of recycled barn lumber by Amish woodworkers, above, were too plain and stolid for me, and the large armoires more than I wanted to spend (about $1,600) — and they didn’t happen to have any vintage ones on hand.
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So on I went to Re-Pop on Washington Avenue near the Brooklyn Navy Yard, first perusing their website and zeroing in on a couple of mid-20th century credenzas — not a style I was tending toward, I’m pretty done with that — although in my present circumstances, the main thing is to get something that fits, dammit, so I can start unpacking these boxes before my lease is up.

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It was also my first-ever visit to Re-Pop, above, which has been in business about four years, and my first time in that area — Clinton Hill East? — in ages. So it was a revelation to see that the proximity of the Brooklyn-Queens Expressway is no longer a deal-breaker when it comes to luxury apartments. 275 Park Avenue, right under the BQE, is a converted 19th century chocolate factory, a distinguished brick building that now houses an organic market, Fresh Fanatic, below, and a Mexican restaurant, Mojito, on the ground floor. I can’t tell you how incongruous I find the gentrification of these blocks in the shadow of the BQE. I once considered them irredeemable — but I was wrong about that, too, apparently.

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Re-Pop is stuffed with vintage modern furniture at good prices, chosen with a keen eye for mostly non-pedigreed but stylish designs. They have a load of kitschy ’50s lamps, all with original shades. I seriously considered two pieces, each under $600: a long, low credenza of good shape and size, but I didn’t love it as a piece of furniture, and an unusual blonde wood 9-drawer dresser, but I don’t need a 9-drawer dresser.

So I came away without that vital storage piece, but not empty-handed. See my new lamp, below. It works beautifully in the living room, and actually provides enough illumination for reading.

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