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Looking for a Bohemian idyll à la Jackson Pollock and friends, mere meters from the water? Check out my craigslist ad here or email firstname.lastname@example.org for more pics and info. Available by the month only.
I’M FOREVER LOOKING for clues to the origins of my Long Island beach house. The town records, which go back only to 1957, when zoning was adopted, are useless, since the house was built before then. But when? And by whom? And was it designed, or did it just sort of happen?
I Googled the name of a long-dead previous owner, and came to this lovely blog post, written by a visitor to the house, recalling hammock-swinging and gazpacho-making in the summer of 1975.
I’ve asked the last owner to dig out any photos he might have, and I have hopes he may get around to it one day. I’ve been to the Long Island Collection at the East Hampton Public Library, and read Alastair Gordon’s Modern Long Island: The First Generation of Modernist Architecture 1925-1960, which accompanied an exhibition at East Hampton’s Guild Hall in the 1980s.
But I still know very little about the architecture and design of my own house. Occasionally I come across something that strongly reminds me of it. One of these recent discoveries was on the website The Selvedge Yard, which reproduced an article published in Architectural Digest in 1976, about Truman Capote’s house in Sagaponack, a boxy wooden structure he built in 1962. It had, the magazine said, an “intentionally untended” look. (The house still stands but has lost its untended look, and with it, its charm.)
For Capote, this was one of three homes (the others in Manhattan, California and Switzerland), but it seems he spent as much time out there as he could, especially in autumn and winter. He was, of course, well-heeled enough to winterize the house, but quirky enough to do it in such a way as to make it look unfinished by choice. (My as-yet-unwinterized house also looks unfinished, because it is.)
I love the dark glossy floors, the walls of books, the exposed-beam ceilings — and the typically pithy Capote-isms in the article, such as this: “For me, it’s a bore to use a decorator. I know exactly what I want. I don’t care to have someone come in and tell me what I need to live with. I know.”
STEPS — NO, REALLY — STEPS TO BEACH. Lots of real estate listings say it. In this case, it’s true. This is the third house in from the water at Maidstone Beach, East Hampton, below, a long sandy crescent on Gardiner’s Bay that I never get tired of touting as the Hamptons’ best-kept secret (actually there are a couple of other equally well-kept secrets, but it’s one of the top three).
The house (at left in photo at top) is a shingled cottage from the 1950s, probably, with a glassed-in front room that probably used to be an open porch, and a garage out back. Two bedrooms, two baths, a working fireplace, and a whole lot of clutter, which I hope you can see through.
It’s been on the market for about two months, which surprises me. I should have thought it would be gone by now.
You can see the listing, with more photos, here.
THE LADY IS VERY HAPPY with her new deck. What the contractors didn’t know, as they worked for four days right outside my windows, is that I could hear every word they said, and even understand the ones in English. I’m the Lady, as in “Did the lady see it yet?” and “What did the lady say?”
See the happy lady, below.
See the new deck in all its fresh-smelling cedar glory.
See the new storage shed for beach chairs, grill, etc.. I’ll need more, for garden tools and whatnot, but it’s a good start.
Yesterday I drove to my favorite nursery, Fort Pond Native Plants in Montauk — it’s not really all natives, but it’s got an interesting, healthy selection — and bought some ornamental grasses (Panicum ‘Shenandoah’ and a very cool-looking plant called Purple Love Grass, or Eragrostis spectabilis), and interplanted them along the walkway, below, with Amsonia hubrichtii (blue milkweed), Heuchera ‘Palace Purple’ and bloody sorrel. Got a purple/chartreuse thing going.
I’m coveting some new shrubs and trees, including a hinoki cypress and perhaps a magnolia. For that, I await the post-Labor Day sales.
THE MONTH OF MAY hasn’t been so much merry as schizy (though there have been some undeniably merry moments). I spent the first two weeks of the month saying goodbye to my former home, a vintage cottage in East Hampton, N.Y., enjoying its deck and outdoor shower every chance I got. I gazed into the woods, wondering how I was going to survive without that particular view.
I had one last yard sale, then moved my remaining “staged for sale” furnishings from the cottage to the other house I bought last year — a mid-20th century L-shaped bungalow, below — a quarter-mile away. A few days later, I sold that beloved first cottage, five years and a day after buying it in 2009, and six months after putting it on the market.
It was the first time I ever sold a property (I still own a few; see my About page). Did it feel momentous? Nah. I had experienced all my emotion in anticipation, it turned out. Closings are non-events, I’ve realized. No ceremony, no festivity — just attorneys and a title company rep passing papers back and forth to be signed. No one says congratulations; you’re lucky if get hello and goodbye. Afterwards, I ran to the bank, and then — except for sharing a bottle of champagne with a friend — pretty much forgot about the whole thing. It’s out of my hands now. If the garden on which I worked so hard and long reverts to nature — well, so be it.
Below, views of my “new” house and landscape, as it looked earlier this month:
Now I’m all of a piece — all my things in one house, responsible for only one garden and one Town of East Hampton tax bill. Most significantly, my focus and attention is now in one place. I’ve furnished the rooms comfortably, and I’m doing the best I can to control the indoor climate in my unheated, un-cooled house, alternating space heater and fan as weather demands.
I made a conscious decision to make no decisions for a while — to call no contractors, no deck guys, no guys at all. There are big jobs ahead: replacing the deteriorating deck and installing windows in a long hallway where now there are boarded-up holes, to name two major priorities. But I’m not ready to move on anything quite yet.
Meanwhile, I’ve been enjoying my new borrowed view, of dogwoods in the neighboring yard, above, and the rhododendrons have come out, spectacularly, to greet me.