Hamptons August Rental, Walk to Water

SPEND A WEEK OR FOUR this August living the beachy life in my idyllic modern rustic/Bohemian chic summer house in East Hampton (Springs), N.Y.

Built in the 1940s as a fishing bungalow, with a c.1970 addition, the house is 1,400 square feet on half a landscaped acre. Share with friends or another family — it’s ideal for two couples with a total of two or maybe three kids.

• Swim in Gardiner’s Bay, at unspoiled, never-crowded Maidstone Beach, a 5 minute stroll from the house
• Walk the scenic ‘loop’ through Maidstone Park, or along nearby Gerard Drive with Gardiner’s Bay to one side and Accabonac Harbor to the other
• See egrets and ospreys, wild turkey and deer (not on my property, however; I’m fenced:-)
• Nap on the deck, watch the sun set over the jetty, picnic at Louse Point, make bonfires on the beach or in my fire pit, shower outdoors, grill on the brick patio, hang out on the porch at the Springs General Store
• Paddleboard or kayak in the bay
• Do yoga at one of several nearby studios
• Surf or swim in the ocean at Amagansett (10 minutes by car) or Montauk (25 mins.)
• Farm stands, greenmarkets, nurseries
• Yard sales, antiquing, shopping
• Art shows and galleries, live performance at Guild Hall, music at Stephen Talkhouse, historic house tours
• Garden tours + garden visits at LongHouse Reserve, Madoo, Bridge Gardens
• Restaurants and bars galore
• Explore nearby Sag Harbor (20 minutes), Shelter Island (30), North Fork, Block Island (day trip)

The house sleeps 6, officially — there’s a master bedroom with comfortable queen bed; guest room with two twins; as well as a separate 14’x17′ guest cabin with double bed and space for additional cot or crib (bathroom is in main house). There are also sofas comfy enough for overnight guests and a queen-size air mattress.

There are two showers, one indoors and one out, and plenty of room to spread out — there’s a dining/sitting room with sofa, chairs and fireplace, in addition to a great room with three sofas, and a home office with a partner desk, if you must work.

Live like Jackson Pollack and Lee Krasner in (whose home and studio is a mile away) in the 1940s… no TV, no air conditioning, no dishwasher.. but good Wi-Fi and fans in each room. (*TV and DVD player on request)

Flexible rental schedule, August through Labor Day, $3,000/week.

Contact me for more pics and info: caramia447 [at] gmail [dot] com

The Big Reveal: Inside My Beach-House-to-Be

THE WAITING GAME continues. I’ve officially “gone to contract” on the Long Island beach house deal I’ve been patiently coddling for almost two years now. The seller has signed the contract of sale, my down payment has been delivered, the survey is completed; so is the title search. What remains before we can set a closing date: an amended Certificate of Occupancy for a 14’x18′ outbuilding — a future pool house, studio, guest cottage, workshop — with a good wood floor, skylights, a plumbed sink, and electricity. I want that building to be legal, and it’s the seller’s responsibility to make it so — a matter of closing out some paperwork, as the structure itself was built to code, with proper permits. So I wait to be informed when that is done, and have no idea how long that may take. Meanwhile, I linger in limbo while the weather here in downstate New York turns cold. The house is neither heated nor insulated, and there won’t be much I can do there through the winter months.

What I can do now is dream. I have been poring over back issues of Elle Decor, House Beautiful, and Country Home, seeking inspiration but not really finding it. That’s because the house — a long, narrow cracker-box built in the 1940s, then appended in the 1960s with a shorter wing set perpendicular to the first — has a modernist air in its simplicity, but a set of French doors added later confuses the issue. It’s not a cottage. It’s not a cabin. It’s not a ranch. It’s neither traditional nor modern. It doesn’t appear to have been designed by an architect; it just kind of happened. Soon it’s going to happen to me, and I finally feel confident enough of that to publish a few photos of the interior taken during a recent inspection with a trusted contractor. It’s still chock full of the seller’s belongings, but you’ll get the idea.

Let me clear up one misconception friends seem to have about me and this house: yes, it needs a load of work, but no, I’m not planning to “renovate.” Not right away, anyhow. I’m planning to live in it — camp in it, even — in a state of Bohemian funkiness for at least the first year [I just checked the definition of ‘funky’ to make sure it means what I want it to mean: modern and stylish in an unconventional or striking way, according to Merriam Webster. Exactly!] Primarily because I won’t have the money to do much else, but also because I just want to relax into being there before making any big plans. I’m looking forward to cleaning and painting immediately, and replacing appliances if need be, but things like a heating system and all new windows (the house will eventually need more than 20 of them) and a new deck and outdoor shower will have to wait. As for a new pool (the original vinyl one is merely a hole in the ground), that will have to wait a long time — five years, perhaps. Meanwhile, Gardiner’s Bay is a few hundred yards down the road.

Assuming the water runs and the lights go on, which they should, the first call I’m going to make is to an arborist. The half-acre has an excessive number of tall oak trees, and I want to open up the property and let in light — maybe even enough for a vegetable garden. Hopefully, much of that clearing can be accomplished this winter while the trees are bare.

In my low-budget decorating dreams I’m seeing a whitewash, sisal carpets, and a few pieces of mid-century furniture. What are you seeing? Dwell-magazine minimalism, or kilims and color? Thanks for your thoughts, however stray or unformed; they’ll go right into my mental files.

Above: The 14’x30′ living room in the short section of the L-shaped house has a working fireplace.

The larger of two bedrooms, above

One of two bathrooms, both needing work

The kitchen is open to…

A second living room, essentially — or dining/family room, with another working fireplace at the end of the long leg of the L (covered at present with plywood)

The outbuilding that’s causing the current delay

Bohemian Splendor in Cobble Hill

ONE OF THE GREAT THINGS ABOUT BLOGGING is making new friends. Lula and I met only a few months ago, when she stumbled upon my blog and contacted me. We soon discovered we are neighbors in two places. She has an adorable cottage a few blocks from mine in Springs (East Hampton), N.Y., as well as a parlor floor she’s owned for 16 years in a classic 1850s Italianate brownstone in Brooklyn, top and below, virtually around the corner from where I lived for two decades (though we had never run into each other).

She lives in a state of Bohemian splendor, presently suspended in mid-renovation. Having peeled off old wallpaper, the walls have a Venetian plaster look but await further plaster and paint. The ceiling has been stabilized in parts where it was falling down. There are nearly intact plaster cornice moldings all the way around, with what Lula calls her ‘Shakespearen troupe’ of faces. A new kitchen is in the cards, and there’s a potential terrace at the back which is just tar paper, no railings, at the moment.

Most of the elaborate plaster cornice is in great shape, above. Other parts, below, not so much.

Lula is grappling with the questions endemic to living on the parlor floor of a brownstone.

• Where to put the kitchen so it’s functional but unobtrusive? Right now it’s in the middle and will probably remain there for plumbing reasons, but in what configuration?
• How to create a bedroom with privacy? She’s got a small one in the former hall space at the back, and uses the back parlor as a sort of den/guest room, above — but could it be better used as a master bedroom or dining room (currently in the kitchen area)?
• And what about those magnificent original wood doors and moldings? Were they painted back in the day (she thinks so) and should they be painted again, or refinished and stained? Should perhaps the doors be left wood and just the moldings painted?

All that remains to be seen. Meanwhile, the place has great cozy charm. With all that original detail, antiques acquired piecemeal over the years, an overstuffed sofa, plants on the window sills, and faded Oriental rugs, it feels much like being back in the Victorian era, for real.

After my first-ever visit to Lula’s apartment, we went and checked out the new Fork & Pencil warehouse on Bergen Street, above, a few-months-old, crammed-full, well-vetted consignment store — a spin-off of the smaller storefront on Court Street — whose proceeds go to non-profit conservation, arts, and other organizations. It’s more Lula’s kind of place than mine, filled with traditional antiques, but more to the point, I don’t need anything at the moment. Browsing there is purely a theoretical exercise for me. I admire, appreciate, and move on. Don’t need anything, thanks!

We had a civilized late lunch nearby at Broken English, the sort of self-conscious industrial chic space one used to expect only in Manhattan. I’m glad it’s come to Brooklyn, because my rigatoni with marinara and basil was scrumptious, and the salad, bread, and olive oil were tops. You can tell the quality of a restaurant by its bread and salad, I once read, and I think that’s on the mark. Broken English is open for breakfast, lunch, and dinner. Ignore the snarky online reviews from amateur critics and give it a try. It’s a welcome addition to the nabe, in my book.

What Glamour Is

NOBODY DOES IT like Metropolitan Home. I say this not because I’ve been writing for the magazine since 1981, but because — though it’s known mainly for a certain sleek, high-end modernity — it is also capable of forays into the avant garde, the eco-chic, the rustic and the bohemian (sometimes all in one project). ‘Mix it up’ is Met Home‘s motto, and it sure keeps us readers on our toes.

Met Home, edited by the same small group of people almost from the beginning, is always on top of trends, so when Donna Warner, the longtime Editor in Chief, decides it’s time for “drama queen staircases, elegant draperies, sexy chandeliers, Wicked Queen mirrors, and soothing daybeds,” you better believe it.

Below, Jonathan Adler’s Palm Beach home mixes vintage and new, plastics and marble, neutrals and brights

Glamour: Making it Modern is the newest coffee-table book from Met Home’s senior design team, written by Features Director Michael Lassell. More than 200 photos of 125 projects by some of the magazine’s favorite designers (and mine), including Benjamin Noriega-Oritz, Amy Lau, Celerie Kemble, and Jonathan Adler, employ principles that define this thing called glamour as it stands in 2009:

• oversized objects rather than little bitty ones
• luster, polish, shine and sheen, applied with restraint
• antiques and vintage alongside modern
• Asian influence on Western interiors
• the use of multiples (framed images, a pottery collection) to make a whole more than the sum of its parts

Below, designer Shamir Shah transformed a New York City apartment foyer into something uniquely glamorous with a ceiling made of 31 rice-paper lanterns

Some projects are more accessible than others, but all are inspiring. Some of the ideas in the book, like putting a chaise or lounge chair in the bathroom, as one designer suggests, don’t cost a thing.

Below, Nisi Berryman, owner of Miami’s NIBA Home, went all-out glam in her fuchsia-colored bedroom with a Baroque mirror, vintage vanity, and furry pillow on an acrylic chair