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Maidstone Beach, the never, ever crowded miles-long crescent of white sand a few hundred yards from the house. The bay is so relaxing — kinder and gentler than the ocean’s pounding surf — perfect for swimming and safer, especially with kids.
WHO’S READY TO THINK ABOUT SUMMER? Everyone in the snowy Northeast, I imagine. Hard to believe at the moment, but summer will come, and with it the desire to be near water. I have just the house for you to rent: my utterly secluded 1940s 1,200-square-foot home, a five-minute walk from the beautiful Gardiner’s Bay beach, above, that is one of the Hamptons’ last and best-kept secrets.
June and July are spoken for, but August is available ($7,000). It’s a unique house for the right people — people who dig its arty, Bohemian vibe and don’t require air conditioning or a dishwasher. This is a house that recalls Jackson Pollock’s postwar heyday, when Springs, a hamlet five miles north of the chic village of East Hampton, N.Y., was home to a slew of well-known artists associated with the Abstract Expressionist movement.
Pollock’s own home, now the Jackson Pollock-Lee Krasner Study Center, is a mile away in the Springs Historic District. So is the Springs General Store, a throwback to hippie days that pretty much encapsulates what laid-back Springs is all about. The area is still home to many artists, writers and actors, some famous.
This is a house in a state of pre-renovation, and my price reflects that. There’s a fully functioning (in fact, brand new) kitchen and bath. The house is clean and organized and (will soon be) fully furnished. But I just bought it a year ago, and many planned projects — a new deck, an outdoor shower, a second bathroom among them (not to mention a swimming pool) — have not yet happened.
At present there are two bedrooms, but also, for all intents and purposes, two living rooms; there’s the potential to sleep 6 or more. There’s also an outbuilding which will be converted as a separate studio by summer.
Great room, furniture yet to come.
Dining/sitting room with working fireplace
View to kitchen from dining/sitting room
One of two bedrooms, with double bed + single (there’s a second bedroom as well)
Imagine swimming every day (more than once a day!) right at the end of the block; kayaking and paddleboarding from any number of local launch points; bonfires on the beach (legal); grilling on the brick patio; visiting restaurants, bars, shops, galleries, historic houses, and ocean beaches in nearby East Hampton and Amagansett (10 minutes away) and Montauk (25 mins.), and spending time in the uber-charming town of Sag Harbor (20 mins.).
Above: Part of Maidstone Park’s two-mile loop for walking/jogging alongside the bay, an inlet leading to Three Mile Harbor, and a nature preserve. All a few minutes’ walk from the house.
For more info, contact me at email@example.com. To see my craigslist ad, go here.
Late summer sunset over Gardiner’s Bay
NOBODY DOES IT like Metropolitan Home. I say this not because I’ve been writing for the magazine since 1981, but because — though it’s known mainly for a certain sleek, high-end modernity — it is also capable of forays into the avant garde, the eco-chic, the rustic and the bohemian (sometimes all in one project). ‘Mix it up’ is Met Home‘s motto, and it sure keeps us readers on our toes.
Met Home, edited by the same small group of people almost from the beginning, is always on top of trends, so when Donna Warner, the longtime Editor in Chief, decides it’s time for “drama queen staircases, elegant draperies, sexy chandeliers, Wicked Queen mirrors, and soothing daybeds,” you better believe it.
Below, Jonathan Adler’s Palm Beach home mixes vintage and new, plastics and marble, neutrals and brights
Glamour: Making it Modern is the newest coffee-table book from Met Home’s senior design team, written by Features Director Michael Lassell. More than 200 photos of 125 projects by some of the magazine’s favorite designers (and mine), including Benjamin Noriega-Oritz, Amy Lau, Celerie Kemble, and Jonathan Adler, employ principles that define this thing called glamour as it stands in 2009:
- oversized objects rather than little bitty ones
- luster, polish, shine and sheen, applied with restraint
- antiques and vintage alongside modern
- Asian influence on Western interiors
- the use of multiples (framed images, a pottery collection) to make a whole more than the sum of its parts
Below, designer Shamir Shah transformed a New York City apartment foyer into something uniquely glamorous with a ceiling made of 31 rice-paper lanterns
Some projects are more accessible than others, but all are inspiring. Some of the ideas in the book, like putting a chaise or lounge chair in the bathroom, as one designer suggests, don’t cost a thing.
Below, Nisi Berryman, owner of Miami’s NIBA Home, went all-out glam in her fuchsia-colored bedroom with a Baroque mirror, vintage vanity, and furry pillow on an acrylic chair