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ONCE A SEASON at LongHouse Reserve, the 16-acre ornamental and sculpture garden in East Hampton, N.Y., masterminded by textile designer/scholar/collector Jack Lenor Larsen, is not enough. (That’s Larsen’s Shinto temple-inspired house, above).

I visited LongHouse for the first time last May, when azaleas and roses were among the main attractions. I returned a couple of weeks ago, and found it less riotously colorful, perhaps, but still awe-inspiring. Late summer/early fall is the time to appreciate late-blooming hydrangeas, ornamental grasses in their prime, elephant ears and annual vines at maximum size and spread.

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Below, how the dry Mediterranean garden looks in late August. I love that LongHouse “allows” some of the lambs-ear-like plants I’ve been thinking of as weeds in these beds; it’s making me reconsider pulling them out where they’ve colonized a sunny section of my lawn.

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Here’s one of the monumental sculptures I neglected to photograph back in May. “Summer Bridge,” below, a 1983 work by Claus Bury, was created when the German artist was just 19 years old.

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Another of the many takeaways from LongHouse: lots of ideas for paving and paths, including slate pieces set in gravel, below, done so beautifully here.

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You have until October 9, when LongHouse closes for the season, to visit and be wowed. Hours are short: Wednesdays and Sundays only from 2-5PM. Admission is $10. So well worth it.

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